The
British Empire. At its peak a great proportion of the globe was governed from
our small island.
In retrospect it was an era of great things and some less so.
What were the peculiarly British attributes that enabled the nation to spread
its influence to the four corners of the earth?
Well, the obvious ones were the
ability to muster a dominant military across ground and maritime forces that
could mobilise to expand or protect territorial gains and the administrative
and logistical skills that went with that.
An equally significant factor was
the availability of hot food and copious cups of tea to add substance to the
well known saying that "an army marches on its stomach".
A contributing bit of
equipment was the Rippingille Cooking Stove.
They were manufactured from around
1876 by Frank Sidebotham Rippingille and Henry Viliers Rippingille from
premises in Aston, Birmingham in the English Midlands.
The Cooking and Warming Stoves
were of many sizes and styles but became an essential bit of kitchen and galley
equipment for those stationed abroad on land and sea. It was for all of its
widespread use hardly a portable appliance relying upon servants or
good dependable transport to run it about across varied terrain and ocean
currents.
The model shown below measured, in metric terms, 38cm high, 43.5cm
wide and 29.5cm deep.
Considering that the Number 3 Rippingille Stove, a
particular favourite on board boats and yachts operated on petroleum or
paraffin stored in the two large underslung tanks and had cast iron griddles and
fittings the whole thing will have been very bulky and a dead weight.
I like a description of this model in the 1903 espionage thriller, "Riddle of the Sands" by Erskine Childers when purchased in London by Carruthers on the request of the yachtsman Davies.
I like a description of this model in the 1903 espionage thriller, "Riddle of the Sands" by Erskine Childers when purchased in London by Carruthers on the request of the yachtsman Davies.
"At the Stores I asked for a No. 3 Rippingille
stove, and was confronted with a formidable and hideous piece of ironmongery horribly prophetic of a smell of warm oil. I
paid for this miserably, convinced of its grim efficiency, but speculating as
to the domestic conditions which caused it to be sent for as an afterthought by
telegram"
During
their halcyon trading days Rippingille's were always direct with the way they
chose to advertise and they continued to associate their products with the
global appeal of the Empire and its peoples.
A famous graphic advert used the strapline of "Englands Gift- a blessing to all nations" and depicted many racial stereotypes in national costumes from the Americas to the Middle and Far East, china and Africa.
A major promotional angle was the idea that Britain was the workshop of the world, and that the industrial power that Britain could bring to bear was to the benefit of all those who came into contact with it.
Another motto was “You will do well to haste and try them, you can’t do better ‘cept to buy them”.
A famous graphic advert used the strapline of "Englands Gift- a blessing to all nations" and depicted many racial stereotypes in national costumes from the Americas to the Middle and Far East, china and Africa.
A major promotional angle was the idea that Britain was the workshop of the world, and that the industrial power that Britain could bring to bear was to the benefit of all those who came into contact with it.
Another motto was “You will do well to haste and try them, you can’t do better ‘cept to buy them”.
However, competition from other firms led to falling sales, and even the mortgage of the factory did little to prevent the downward spiral to bankruptcy.
During December 1903 the Stove Works, plant, gas engines and stock in trade was offered for sale as a going concern but with no buyer coming forward the works were advertised for sale during March 1904.
Perhaps the demise of such a symbol of organisation, tradition, dependability and function was a herald of similar to come for the wider British Empire in the rest of the 20th Century.
No comments:
Post a Comment